Visitors Now:
Total Visits:
Total Stories:
Profile image
By Ye Olde False Flag
Contributor profile | More stories
Story Views

Now:
Last Hour:
Last 24 Hours:
Total:

Articulating Palestine Despite Israeli Hasbara

Thursday, January 10, 2013 17:41
% of readers think this story is Fact. Add your two cents.

(Before It's News)

What does a Palestinian farmer who is living in a village tucked in between the secluded West Bank hills, a prisoner on hunger strike in an Israeli jail, and a Palestinian refugee roaming the Middle East for shelter all have in common? They are all characters in one single, authentic, solid and cohesive narrative. The problem however, is that western media and academia barely reflect that reality or intentionally distort it, disarticulate it, and when necessary, defame its characters.

An authentic Palestinian narrative – one that is positioned within an original Palestinian history and articulated through Palestinian thought – is mostly absent from western media and to a lesser degree, academia. If such consideration is ever provided, everything Palestinian suddenly falls into either a side note of a larger Israeli discourse, or at best, juxtaposed to a pro-Israeli plot that is often concealed with hostility. Palestinian news stories are often disconnected, disjoined news items with seemingly no relation to other news items. They are all marred with negative connotation. In this narrative, a farmer, a prisoner and a refugee barely overlap. Due to this deliberate disconnect, Palestine becomes pieces, ideas, notions, perceptions, but nothing complete or never whole.

On the other hand, an Israeli narrative is almost always positioned within a cohesive plot, depending on the nature of the intellectual, political, academic or religious contexts. Even those who dare to criticize Israel within a mainstream western platform, do so ever prudently, gently and cautiously. The outcome of this typical exercise is that Israel’s sanctified image remains largely intact. In the meanwhile Palestinians constantly jockey for validation, representation and space in a well-shielded pro-Israeli narrative.

To counter these misrepresentations, the pieces must be connected to form a collective that would truly epitomize the Palestinian experience – the story and the history behind it. Once that has been attained, there are chances for greater clarity regarding the roots of the conflict, its present manifestations and future prospects. That can only happen if we return to the basics of a protracted tragedy that is draped with the names and stories of individuals. Doing so would ultimately articulate a consistent, generational discourse that deserves to stand on its own, without belittling juxtapositions or belligerent comparisons.

All tragic stories of the greater Palestinian narrative – of those enduring the ongoing ethnic cleansing, those who are fighting for freedom and those who are seeking their right of return have the same a beginning – the Catastrophe, or Nakba. But no end is yet to be written. The storyline is neither simple nor linear. The refugee is fighting for the same freedom sought by the prisoner or the son of an old farmer, part of whose family are refugees in one place or another. It is convoluted and multilayered. It requires serious considerations of all of its aspects and characters. Perhaps, no other place unites all of these ongoing tragedies like Gaza. Yet as powerful as the Gaza narrative is in its own right, it has been deliberately cut off from urgently related narratives. This is the case whether it is in the rest of the occupied territories or the historical landscape starting with the Nakba. To truly appreciate the situation in Gaza and its story, it must be placed within its proper context like all narratives concerning Palestine. It is essentially a Palestinian story of historical and political dimensions that surpass the current geographic and political boundaries that are demarcated by mainstream media and official narrators. The common failure to truly understand Gaza within an appropriate context whether it is the suffering, the siege, the repeated wars, the struggle, or the steadfastness and the resistance being presented, is largely based on who is telling the story, how it is told, what is included and what is omitted.

More: http://dissidentvoice.org/2013/01/articu…i-hasbara/



Source:

Report abuse

Comments

Your Comments
Question   Razz  Sad   Evil  Exclaim  Smile  Redface  Biggrin  Surprised  Eek   Confused   Cool  LOL   Mad   Twisted  Rolleyes   Wink  Idea  Arrow  Neutral  Cry   Mr. Green

Top Stories
Recent Stories

Register

Newsletter

Email this story
Email this story

If you really want to ban this commenter, please write down the reason:

If you really want to disable all recommended stories, click on OK button. After that, you will be redirect to your options page.