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Blade Runner – The Real Truth of the Sacrifice of Reeva Steenkamp

Wednesday, February 20, 2013 5:10
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(Before It's News)

 

Blade Runner Curse
 

Among the folklore that has built up around the film over the years is the infamous Blade Runner Curse, which is the belief that the film was a curse to the companies whose logos were displayed prominently as product placements. While they were market leaders at the time, many of them experienced disastrous setbacks over the next decade and hardly exist anymore. RCA, for example which at one time was the leading consumer electronics and communications conglomerate, was bought out by one time parent GE in 1985, and dismantled. Atari, which dominated the home video game market when the film came out, never recovered from the next year’s downturn in the industry, and by the 1990s had ceased to exist as anything more than a brand. The Atari of today is an entirely different firm, using the former company’s name. Cuisinart similarly went bankrupt in 1989, though it lives on under new ownership. The Bell System monopoly was broken up that same year, and all of the resulting Regional Bell operating companies have since changed their names and merged back with each other and other companies to form the new AT&T. Pan Am suffered the terrorist bombing/destruction of Pan Am Flight 103 and went bankrupt in 1991, after a decade of mounting losses. The Coca-Cola Company, although still tremendously popular, suffered losses during its failed introduction of New Coke in 1985.  
 
 

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Blade Runner: 30 Years of Synchromysticism – Part 2 (Aztec-Mayan Symbolism)
by Loren Coleman ©2012

Set in November 2019, director Ridley Scott’s Blade Runner celebrates its 30th anniversary on June 25, 2012. Director Scott’s immediate previous film was Alien (1979) and his most recent film, of course, is Prometheus (2012). These two films share with Blade Runner a look at our future worlds impacted by genetic engineers. Scott’s 1982 American science fiction film is based on a Philip K. Dick short story, and stars Harrison Ford, Rutger Hauer, and Sean Young. For three decades, synchos (see definition at bottom) have found cinematic and real world coincidences, synchronicities, and linkages within this highly textured movie.

Ridley Scott has always maintained that Blade Runner is merely a piece of entertainment, nothing more, yet it is his “most complete and personal film.” When Scott met Philip K. Dick during the post-production process, he specifically told Dick that he was not interested in “making an esoteric film.”

Despite plans that did not include a journey to the “esoteric,” Blade Runner’s director seems to have not understood that synchronicity, as Carl Jung might observe, is something that Ridley Scott may have not seen coming his way. It just happens.

Synchronicity takes the coincidence of events in space and time as meaning something more than mere chance, namely, a peculiar interdependence of objective events among themselves as well as with the subjective (psychic) states of the observer or observers.

~ Carl G. Jung

Over the weekend, I watched the anniversary showings of the original 1982 Blade Runnerand the 2007 “Final Cut” of Blade Runner on the Encore cable channel (repeat screenings are scheduled). Considering that the movie was set in 2019, it was intriguing to see how unimaginative the film’s producers were only three decades ago about telephones, pay telephones, computers, and such. Everything was shown as retaining their then-contemporary bulkiness. Some innovative science fiction thinking was released in the flying urban vehicles and fashion, most of which has not really happened, and through grand corporate architecture, which has. In general, the film does hold up well, and is filled with synchromystic connections. It is one of my personal favorites.

Aztec Sawfish Rostrum

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In Blade Runner, this time, one seemingly small item did jump out at me (I’d never noticed it in previous viewings), as seemingly out-of-place but symbolic. It was found in the apartment of Rick Deckard (Harrison Ford). What I saw, momentarily, and identified quickly was a large-toothed sawfish (a type of ray, genus Pristis) rostrum (snout) mounted on Deckard’s wall, below some glyphs.

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I once noticed Fortean researcher, cryptozoologist and author Ivan T. Sanderson (1911-1973) had been pictured with a sawfish rostrum at his New Jersey’s SITU headquarters. Above is Sanderson’s conversation/living room area in his so-called “mansion house,” with the sawfish rostrum, photos by Richard Grigonis.

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When I saw one, decades ago, I obtained it. That sawfish rostrum is now displayed in theInternational Cryptozoology Museum today (seen in the middle of the midcentury installation, above).

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What is a sawfish rostrum doing in Blade Runner? I did a little research, and quickly found a link that may explain its placement.

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The most frequently found large animal artifacts interred beneath the center of the Aztec universe were sawfish rostra. Above is pictured a rostrum of the sawfish Pristis pectinata in Offering 58 of the Great Temple, photo courtesy of CNCA-INAH-MEX. Used as tools of sacrifice, these rostra symbolized the blood-spilling swords that fed Cipactli. The ruins of the Aztec Great Temple was discovered in 1978 beneath the central plaza of Mexico City. This pyramid was the center of the Aztec cosmic order and used to sustain the gods. Among the offerings were the sawfish rostra. Among the codices art, there were the stylized sawfish rosta (directly below).

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The Aztec-designed sword was made in imitation of the sawfish’s rostrum. Matthew T. McDavitt wrote in the Florida Museum of Natural History Ichthyology Department’s Shark News (March 2002), on their significance: 

In Aztec belief, the world had been founded on the premise of divine sacrifice. The gods had drained all their life-force into creation and no longer had the power to sustain themselves. In a kind of cosmic conservation of energy, the Aztecs believed that the sun could not rise, crops could not grow, and rain would not fall without the regular release of life energy back to their creators. To keep the gods alive, humans were obligated to feed them their blood and hearts, the most potent source of life energy. Although the Aztecs recognized hundreds of gods, these diverse deities were just manifestations of the primary forces of the universe such as sun and earth. The sun was a giver of life and a protector of the Aztec people. The earth however, was considerably more hostile….In reality, sawfish rostra appear commonly in the Aztec codices….In Aztec language, the sawfish rostrum was known as imacuauh ”its sword”….Sawfish rostra are most often depicted as symbolic ‘swords’ in the shield / spear bundles which symbolize warfare in Aztec iconography. There is even a structural similarity between the Aztec glass-edged swords and the sawfishes’ toothy appendage.

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Blade Runner: 30 Years of Synchromysticism – Part 2 (Aztec-Mayan Symbolism)
by Loren Coleman ©2012

Set in November 2019, director Ridley Scott’s Blade Runner celebrates its 30th anniversary on June 25, 2012. Director Scott’s immediate previous film was Alien (1979) and his most recent film, of course, is Prometheus (2012). These two films share with Blade Runner a look at our future worlds impacted by genetic engineers. Scott’s 1982 American science fiction film is based on a Philip K. Dick short story, and stars Harrison Ford, Rutger Hauer, and Sean Young. For three decades, synchos (see definition at bottom) have found cinematic and real world coincidences, synchronicities, and linkages within this highly textured movie.

Ridley Scott has always maintained that Blade Runner is merely a piece of entertainment, nothing more, yet it is his “most complete and personal film.” When Scott met Philip K. Dick during the post-production process, he specifically told Dick that he was not interested in “making an esoteric film.”

Despite plans that did not include a journey to the “esoteric,” Blade Runner’s director seems to have not understood that synchronicity, as Carl Jung might observe, is something that Ridley Scott may have not seen coming his way. It just happens.

Synchronicity takes the coincidence of events in space and time as meaning something more than mere chance, namely, a peculiar interdependence of objective events among themselves as well as with the subjective (psychic) states of the observer or observers.

~ Carl G. Jung

Over the weekend, I watched the anniversary showings of the original 1982 Blade Runnerand the 2007 “Final Cut” of Blade Runner on the Encore cable channel (repeat screenings are scheduled). Considering that the movie was set in 2019, it was intriguing to see how unimaginative the film’s producers were only three decades ago about telephones, pay telephones, computers, and such. Everything was shown as retaining their then-contemporary bulkiness. Some innovative science fiction thinking was released in the flying urban vehicles and fashion, most of which has not really happened, and through grand corporate architecture, which has. In general, the film does hold up well, and is filled with synchromystic connections. It is one of my personal favorites.

Aztec Sawfish Rostrum

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In Blade Runner, this time, one seemingly small item did jump out at me (I’d never noticed it in previous viewings), as seemingly out-of-place but symbolic. It was found in the apartment of Rick Deckard (Harrison Ford). What I saw, momentarily, and identified quickly was a large-toothed sawfish (a type of ray, genus Pristis) rostrum (snout) mounted on Deckard’s wall, below some glyphs.

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I once noticed Fortean researcher, cryptozoologist and author Ivan T. Sanderson (1911-1973) had been pictured with a sawfish rostrum at his New Jersey’s SITU headquarters. Above is Sanderson’s conversation/living room area in his so-called “mansion house,” with the sawfish rostrum, photos by Richard Grigonis.

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When I saw one, decades ago, I obtained it. That sawfish rostrum is now displayed in theInternational Cryptozoology Museum today (seen in the middle of the midcentury installation, above).

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What is a sawfish rostrum doing in Blade Runner? I did a little research, and quickly found a link that may explain its placement.

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The most frequently found large animal artifacts interred beneath the center of the Aztec universe were sawfish rostra. Above is pictured a rostrum of the sawfish Pristis pectinata in Offering 58 of the Great Temple, photo courtesy of CNCA-INAH-MEX. Used as tools of sacrifice, these rostra symbolized the blood-spilling swords that fed Cipactli. The ruins of the Aztec Great Temple was discovered in 1978 beneath the central plaza of Mexico City. This pyramid was the center of the Aztec cosmic order and used to sustain the gods. Among the offerings were the sawfish rostra. Among the codices art, there were the stylized sawfish rosta (directly below).

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The Aztec-designed sword was made in imitation of the sawfish’s rostrum. Matthew T. McDavitt wrote in the Florida Museum of Natural History Ichthyology Department’s Shark News (March 2002), on their significance: 

In Aztec belief, the world had been founded on the premise of divine sacrifice. The gods had drained all their life-force into creation and no longer had the power to sustain themselves. In a kind of cosmic conservation of energy, the Aztecs believed that the sun could not rise, crops could not grow, and rain would not fall without the regular release of life energy back to their creators. To keep the gods alive, humans were obligated to feed them their blood and hearts, the most potent source of life energy. Although the Aztecs recognized hundreds of gods, these diverse deities were just manifestations of the primary forces of the universe such as sun and earth. The sun was a giver of life and a protector of the Aztec people. The earth however, was considerably more hostile….In reality, sawfish rostra appear commonly in the Aztec codices….In Aztec language, the sawfish rostrum was known as imacuauh ”its sword”….Sawfish rostra are most often depicted as symbolic ‘swords’ in the shield / spear bundles which symbolize warfare in Aztec iconography. There is even a structural similarity between the Aztec glass-edged swords and the sawfishes’ toothy appendage.

Tyrell Corporation Buildings/Aztec-Mayan Pyramids

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In the Blade Runner, the twin towers of the Tyrell Corporation dominate the landscape. They are pyramids. 
 
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Blade Runner
 
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Aztec
 
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Mayan
 
The pyramids appear to have been based specifically on Aztec-Mayan temple pyramids, on top of which were made human sacrifices (using sawfish rosta and rostra-modeled swords by the Aztecs). In general, Aztecs, which came after the Mayas, had the simpler top on their pyramids, as did the Tyrell/Blade Runner pyramids. The movie’s structures are clearly not Egyptian (below) in nature.
 
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Behind the scenes, we do know that one pyramid model was apparently used for the illusion of two.
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The model of Tyrell’s pyramid was 9 feet at the base and 2½ feet high. This was a ratio of 1:750. The model ultimately caught fire and melted.

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You may have noticed a Tyrell pyramid in a three-part 2009 TV British miniseries, Red Dwarf: Back to Earth. On the right, a very Blade Runner-like pyramid, appears rising out of the landscape of London (visible with Big Ben and the House of Parliament).
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One other thing about some Mesoamerican pyramids is worthy of noting. At the equinoxes, the shadow of a Great Feathered Serpent (e.g. Quetzalcoatl) appears on the side of the pyramids, as seen here on the Mayan Chichen-Itza. Snake symbolism, overtly (as in Zhora and her snake) and covertly, is part of Blade Runner.

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