The Vatican City And Rome — Esoteric Beyond Belief

I took thousands of pictures and though I cannot share all of them with you, I
will choose some of the most interesting and explain the esoteric significance
of the symbolism. You will notice that a relatively small number of symbols are
obsessively displayed in all their temples, churches and public squares. These
are the signatures of the “royal elite”, as you will see.

Throughout the Vatican and all of Rome’s churches, we will observe variations
of the SS, which are signatures of the Roman Cult (the secret society
controlling the Vatican and the Catholic Church) and its bloodline members. I
will explain each symbolism at the appropriate moment.

As I’ve mentioned in my previous article, the secret code of the
Vatican was cracked by author and researcher Wayne Herschel. He was able to
correlate the Vatican and Rome’s temples and obelisks to the stars, and reached
the conclusion that they are a replica of the constellations Orion and Pleiades
– the ancient stars of the “gods”.

First of all, the Basilica together with Saint Peter’s Square, Via della Conciliazione and Castel
Sant’Angelo, are designed to look like a key, if watched from above.
The key represents the famous Solomon’s key from the “Key of Solomon”
manuscripts.

The so called Illuminati (meaning “the enlightened ones”, because
they have access to the truth, while the rest of us don’t) are obsessively
worshiping the obelisk because it represents the phallus of the Egyptian god
Osiris — who was in fact Enki’s son, Asar.

In symbolism, the obelisk represents the male energy and it is always
accompanied by a nearby dome, which represents the female energy. As I will
present to you, all the obelisks of the Vatican City and Rome are erected in
front of huge domes.

Also, some of the domes look similar to the ancient beehives, which in
symbolism represent the temples of the “royal” families. It is a
symbol used extensively by the Freemasonry.

The Vatican City in pictures

The view from the top of Castel Sant’Angelo is breathtaking even on a cloudy
day, and until I looked towards the Vatican, I almost forgot where I was (on
top of a former prison of the Roman Inquisition and symbolic star of the
ancient “gods”).

Right in front of the Basilica, there is a statue
of, allegedly, Saint Peter holding two golden keys. In my opinion, the statue
represents the infamous King Solomon — a formal King of Israel and a black magician who set the bases for the secret society
known as the freemasonry.

It is a strong belief of mine that none of the characters painted or sculpted
within the temples of the “elite” actually represent those who we
think they do. For example, all depictions of the Virgin Mary, probably
represent Ninhursag. She was praised in Sumerian hymns as the “true and
great lady of the heavens”. According to the Sumerian tablets, Enki and
Ninhursag were the ones to genetically engineer the very fist human workers. Imagine
the implications!

The first big thing that caught my eye was a “wall of prayer”, with a
black square embedded in it. Above this wall there is a big cross and a
painting of King Solomon (allegedly St. Peter) holding the key that unlocks the
truth.

The square tool of the builders is also highly
revered by the secret society known as Masonry. [2], [3]. In my opinion, a black square
refers to the knowledge of controlling the dark, negative, energies.

Each year, hundreds of thousands of believers gather at Mecca, in Saudi Arabia,
for a ceremony that, in symbolism, can be translated as the worship of the
black cube (a cube is made of six identical squares). Also, all Muslims across
the planet, pray three times a day facing Mecca, in order to pay their respects
to this black cube, known as Ka’ba (meaning “Sacred House”).

I know that for the decent human beings, the Ka’ba is a positive symbol, but
not to the Illuminati. 

Nearly three million Muslim pilgrims visit Mecca each year, encircling the
Ka’ba seven times counter clock wise, and pointing at the mysterious black
stone. In ancient times, they used to kiss or touch the black stone embedded in
the Ka’ba’s wall, but due to the high number of pilgrims, today is almost
impossible.

According to modern researchers, the Ka’ba is
precisely aligned with the rising of the star Canopus, the cycles of the moon,
and the summer and winter solstices. [4]
Wikipedia; [5] Ancient Aliens;

Again, we have evidence of advanced knowledge of astronomy in ancient times.
Who gave this knowledge to the humans?

Going back to the black square inside the St. Peter’s Basilica, notice how the
common people touch this black square and pray.

The following sculpture is simply amazing! It
represents Pope Gregory XIII, the pope who changed the harmonious Lunar calendar, into the solar
calendar that we have today — “which remains the internationally accepted
civil calendar to this date”. [6]
This is the reason why our calendar is known today as a Gregorian
calendar, though historically speaking should be known as Marduk’s calendar.

(Marduk was the firstborn son on Enki, hence of royal Anunnaki blood. He was
worshiped in Egypt as Ra, the sun god. He is the one who changed Egypt’s lunar
calendar into a solar calendar. After long and bloody wars, Marduk eventually
became the supreme leader of Earth, dethroning his father Enki.

Marduk is the central figure of Satanism and he was known by many names
throughout history, including Lucifer, Satan, the
Devil, and the Beast). [7]

Personally, I have absolutely no doubt that pope Gregory XIII knew exactly what
he was doing when he changed the harmonious lunar calendar into the solar
calendar of the one that he served. The following sculpture strongly reinforces
my statement.

Another symbol found very often in correlation to the “royal” ones,
is the lion. Just as the Egyptian sphinx, the lion represents the sun. All of
the “royal” ones from Marduk’s genealogy are sun worshipers.

The fleur-de-lis symbol evolved from the ancient symbol of the bee and
represents the same thing: the “royal” families. It was and still is
used extensively by the blue bloods. Notice in the upper left corner a stylized
sculpture of the fleur-de-lis.

Inside this smaller temple, we find the honeycomb ceiling, the Masonic laurels
and the eight-pointed star of Melchizedek (high priest Masonic rank) or Inanna
(Sumerian Anunnaki goddess):

During the “religious” rituals, the pope has access to this
underground level through a double stairway, leading exactly beneath the black
altar. Extremely strange for a Christian religion (the Catholics are Christian)
is the inverted cross symbolism, which is Satanic. It is also known as the
cross of St. Peter and this, in my opinion, one of the reasons why he was
chosen as an alleged patron of the church. 

The final reason is that Peter allegedly received the key of the Heavens from a
godly figure: Jesus Christ.

Before showing you the pictures from inside the first level of catacombs, I
want to show you one more picture, of the basilica’s apse:

The first symbol is a tree, and it represents the tree of knowledge and life.
It is the same tree found in all major cultures, representing the creation of
life through genetic manipulation (Sumerian depiction of manipulating DNA; Babylonian
depiction of Anunnaki manipulating the DNA tree — notice the fish-gods, the flying godly figure, and the
eight-pointed star; small artifact found near the 12,000 years old temple of
Gobekli Tepe, depicting the serpent and the tree of knowledge/DNA).

The second symbol is a beehive/honeycomb with an eight-pointed star above it.

Standing on this altar, there are four popes (plus two in the corners), above
them there are two women that could represent Ninhursag and Inanna, and two
little naked children holding the keys of knowledge and the papal hat
representing the beehive and the pineal gland.

Above the entire scene there is a dove (Inanna) standing inside a bright sun,
while on the right and left walls there are two Holly See’s with shields. On
the shield of the right side there are tree bees, while on the shield of the
left side there are six fleur-de-lis.

The catacombs

Descending into the catacombs through a second staircase, the first painting is
of two naked children, holding the shield of the “royal elite”:

A very interesting sight was a white marble desk and chair, with carved motifs.
We can clearly see sheep on the face of the desk, worshiping a pope or heavenly
figure. Notice on the left side, one of the sheep seems to be reaching
a…human hand, towards the central figure. Yes, we are considered
“sheeple” by the “elite”, because we blindly obey them,
like a flock of sheep.

On the coming of his age, Gregory married a blue-blooded woman called Miriam,
who was the daughter of an Armenian Prince in Cappadocia, hence passing
“royal” blood to their offspring.

Gregory the Illuminator was the first official head of the Armenian Apostolic
Church. He converted Armenia to Christianity in 301. Armenia thus became the
first nation to adopt Christianity as its official religion. [10]

Gregory the Illuminator and both his sons, Vrtanes
and Aristaces, are worshiped as saints (blue-bloods who served the agenda of
the “royal elite” as clerics). “Saints” Aristaces and
Vrtanes inherited in sequence their father’s position and further consolidated
the strength and power of the Christian empire in the Caucasus Albania and Anatolia. [11]

Conclusion

In this chapter I have presented you the symbolism of St. Peter’s Square and
Basilica. In a future article, I will include the Vatican Museums (I have some
amazing pictures and information to share), Castel Sant’Angelo and some of Rome’s
most interesting places, where the signatures of the “royal elite”
are hidden in plain sight.