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One of the most hilarious – if not tragic – events that we as Americans witness is when Hollywood attempts to “inform” the public about energy issues, which often takes the form of fanatical opposition to oil and natural gas development.
During a staged protest against the Keystone XL pipeline this past summer, for example, Daryl Hannah and Margot Kidder were arrested while voicing their disapproval of U.S. infrastructure development. The protest also featured a large, inflatable black tube that was intended to represent the pipeline, although none of the protestors – including Hannah and Kidder – were able to explain the fact that petrochemicals are used to produce both the plastic and the paints used throughout the event.
The reason these events are so laughably absurd is that, in addition to the rank hypocrisy, Hollywood “stars” are attempting to drive the public debate on complex engineering processes, about which they have little to no actual expertise. Instead, the celebrity of their names is leveraged to secure headlines, and the public is left with the impression that there are significant technical concerns – all based on the words and deeds of multi-millionaire actors and actresses.
To be sure, there’s nothing wrong with acting or making films. We all love to go to the movies, and then argue at dinner afterwards about which of the previews were the best. And certainly no one is suggesting these individuals don’t have a right to protest. But we should all be concerned that the fact-based conclusions of engineers, geologists, and other technical experts can all be wiped away by what’s essentially a loudest-voice-wins mentality.
This brings us to the latest Hollywood foray into complex energy issues: the movie Promised Land. Billed as a story about the “American identity” (whatever that means), the film stars Matt Damon (of Good Will Hunting and Jason Bourne fame) and John Krasinski (Jim from “The Office”). Set in rural Pennsylvania, Damon plays a landman for an oil and gas company who is trying to convince the town’s residents to lease their land for shale development. Krasinski, however, plays an agitator who raises environmental issues about hydraulic fracturing – which in the real world is a technology that has been safely used for six decades and is tightly regulated by the states.
Recently, Krasinski appeared on the “Late Show with David Letterman” to talk about the film. The interview was going along just fine – a conversation about the awesomeness of Led Zeppelin, general thoughts on how Krasinski’s career has really taken off … the typical talk show banter, really. But then they made a sharp left turn to the issue of hydraulic fracturing, and things got completely out of hand. The emblematic moment was when Letterman asked Krasinski if he could ask him “a technical question” about the process. The resulting fact-free discussion about this complex technology – about which neither participant had any real-world knowledge – was nothing short of stunning.
To paint you a picture, below is a rundown of what they said, followed by a brief summation of why their statements do not comport with reality.
Krasinski: Hydraulic fracturing is “drilling into shale deposits rather than oil deposits.”
Letterman: “Now let me ask you a technical question. There is the ‘deep fracking’ that you go deep, and then, and then, horizontal – and then there is the more shallow version of it. … And it’s my understanding that the more shallow version of it is the more dangerous – the more …”
Krasinski: “Yes. Because it’s releasing gases, um, they’re not able to trap it as much, um, it’s coming right through the ground.”
Letterman: “And chemicals are used to blow it back out of the shale.”
Krasinski: “Correct.”
Letterman: “And chemicals which not necessarily need to be identified …”
Krasinski: “Ahhhh, who needs that?”
Letterman: “So. And a provision removed from the EPA Clean Water bill …”
Krasinski: “You’ve done your homework …”
Letterman: “So these oil companies and go ahead and use whatever they want. And would only have to reveal what was in there if there was a problem.”
Letterman: “And that’s where we see the stories of … ‘er, turn on the water, ma’ … whoosh. And you know, the sink explodes.”
Krasinski: “Yeah. Gives new meaning to ‘fire water.’”
Letterman: “But the thing about the film. I know it happens. There are towns in the north and the west where people are divided. Because some towns are in desperate economic need. And some towns want to preserve the culture that they like about their hometown.”
Krasinski: “100 percent.”
The bigger point here is that the “division” between economic benefits and environmental protection is one that has been invented by opponents of development, and it’s a division that Hollywood has all too often attempted to exploit. Yes, there are risks inherent with all forms of energy, and residents have a right to ask questions and demand answers – based in fact – about what the impacts may or may not be in their communities. The industry frequently holds open forums and information sessions in towns across the country to engage in this dialogue and address concerns.
What opponents have done, however, is undermine that good faith discussion by trying to convince landowners that the industry is only looking out for “profits” and will pollute the water, cause earthquakes, and countless other problems. They have lodged baseless accusations designed to secure headlines, and tragically, they have been very successful.
Movies like Promised Land and the broader Hollywood movement to influence energy discussions mean that this false dichotomy between the economy and the environment will be perpetuated. Even worse, it will be driven by those who stand to benefit financially (through increased public exposure) by merely opposing processes and technologies in which they hold no practical expertise.
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A version of this post also appeared on Energy In Depth.
2012-12-27 23:00:30
Source: http://www.masterresource.org/2012/12/hollywood-deceit-fractionation/