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Why is it always a white guy: The roots of modern, violent rage

Saturday, November 28, 2015 7:53
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(Before It's News)

The LAX shooter, once again, is reported to be a white male. Here’s why they’re always first to violence

Michael Kimmel

 

Why is it always a white guy: The roots of modern, violent rageJames Holmes, Timothy McVeigh, Adam Lanza (Credit: AP/RJ Sangosti/Ho)

Joe Stack had simply had enough. Every time this fifty-three-year-old independent engineer and software consultant from Austin, Texas, had set aside any money at all for retirement, the Internal Revenue Service (IRS) seemed to change the tax laws or whittled away at his earnings with new restrictions. A change in the income-tax regulations in 1986 had removed an exemption for software consultants and engineers, effectively consigning them, in his eyes, to low-income wage work. He just couldn’t catch a break. He’d moved from Los Angeles to Austin, remarried, hoping to get better contract consulting work, but the wages in Texas were paltry compared with Southern California. Increasingly despairing that he would never get back on his feet, he began to see the IRS as an agent of discrimination against honest working people, while corporate fat cats got bailed out. Adding insult to injury, they’d recently initiated yet another audit against him.

 
 

On the morning of February 18, 2010, he snapped. Perhaps snap is the wrong word; it’s too sudden, too precipitous. From Joe’s perspective, he’d already bent far past the breaking point. He just couldn’t bend anymore, couldn’t accommodate all that weight. That Thursday morning, he set fire to his small house in North Austin. He then drove to a hangar that he rented at the Georgetown Municipal Airport and cleared his single-engine Piper airplane for takeoff. “Thanks for your help,” he told the control tower as he left the airfield at 9:45. “Have a great day!”

Ten minutes later, he flew the plane directly into Echelon I, the building in a near-downtown Austin office complex that housed the IRS. The fully fueled plane exploded into a fireball, killing the pilot and also IRS manager Vernon Hunter, a sixty-three-year-old father of six. Thirteen others were injured, two seriously.

In the immediate media flurry, Stack was portrayed as a deranged individual, which, no doubt, he was. But he had hardly acted spontaneously. Indeed, as with so many of these deranged lone wolves who seem to explode one day out of the blue, Stack’s explosion had been brewing for some time. Later that day, investigators found a lengthy suicide note, which Stack had written and revised over the previous three days. In this rambling diatribe against the forces that he believed had led him to this murderously suicidal rampage, Stack just couldn’t get past the injustice of it all, the fact that there seemed to be two sets of rules—which further widened following the economic meltdown of 2008—one for the rich and powerful and one for the rest of us.

“Why is it,” he asks rhetorically, “that a handful of thugs and plunderers can commit unthinkable atrocities (and in the case of the GM [General Motors] executives, for scores of years) and when it’s time for their gravy train to crash under the weight of their gluttony and overwhelming stupidity, the force of the full federal government has no difficulty coming to their aid within days if not hours?”

He described an eighty-year-old neighbor, a widow of a steelworker who worked in the mills in central Pennsylvania all his life, believing the promises from the mill owners and the unions that he would have a pension and medical care for a secure retirement. “Instead he was one of the thousands who got nothing because the incompetent mill management and corrupt union (not to mention the government) raided their pension funds and stole their retirement,” Stack wrote. “All she had was Social Security to live on.” She survives, he said, on cat food.

Like many other guys these days, Stack was mad as hell. Yes, he flipped out, and yes, he was probably clinically insane. But such arm-chair diagnoses miss the method in his madness, the logic of his psychotic break with reality. Stack considered himself a victim of the impersonal forces that wreak havoc with the lives and the futures of America’s middle and working classes—the labyrinthine impersonal governmental bureaucracies and the impenetrable corporations whose CEOs and shareholders were lavishly compensated. Joe Stack was Joe Sixpack, Joe Lunchbucket, Joe the Plumber. He was a New Economy Everyman. Everything piled up on him, and he just lost it.

So Joe Stack “went postal,” as that new phrase coined during the Reagan era put it, named after that spate of rampage murders in which US Postal Service (USPS) workers shot and killed managers, supervisors, and fellow workers. Between 1986 and 1997, forty people were murdered in at least twenty incidents involving postal workers. Before 1986—nary a one. What happened?

Reaganomics happened. Under a Reagan-era policy, the USPS stopped receiving federal tax moneys starting in the early 1980s and was pushed to streamline its operations to maximize efficiency, including cutting wages, firing staff, and slashing benefits. The workers who went postal were all post-office workers who had been laid off or downsized or had their benefits slashed.

One such worker was Patrick Sherrill, the postal worker who started the “trend” and launched that tragic neologism. On August 20, 1986, Sherrill walked through the post office in Edmond, Oklahoma, where he worked, targeting his supervisors and several coworkers. By the time he was done, fifteen postal employees lay dead, and another six were injured—at the time, the third-largest massacre in American history. The last bullet he reserved for himself. As the police arrived on the scene, they heard only one shot.

Yes, Stack and Sherrill were insane, but they were also familiar. They didn’t start out mad. No, they were driven crazy by the sense that the world had spun so far off its axis that there was no hope of righting it. Underneath that sense of victimhood, that sense that the corporations and the government were coconspirators in perpetrating the great fleecing of the American common man, lay a defining despair in making things right. And under that despair lay their tragic flaw, a deep and abiding faith in America, in its institutions and its ideals. Like Willy Loman, perhaps the quintessential true believer in the ideology of self-made American masculinity, they believed that if they worked hard and lived right, they, too, could share in the American Dream. When it is revealed that no matter what you do, no matter how hard you work, that dreams are for Disneyland, then they morph into a tragic American Everymen, defeated by circumstances instead of rising above them.

Stack and Sherrill believed in that America. They believed that there was a contract between themselves, and guys like them, and the government “of the people” that is supposed to represent us. They believed in the corporations that they worked for, confident in the knowledge that they could support a family, enjoy a secure retirement, and provide for their families. That contract was the stable foundation for several generations of America’s working men—an implied but inviolable understanding between businesses and workers, between government and employers. They had kept the faith, fulfilled their part of the bargain. And somehow their share had been snatched away by faceless, feckless hands. They had played by all the rules, only to find the game was rigged from the start.

It feels like even the unions have betrayed them. At their origin, the union movement established the baseline that enabled working- and middle-class American men to plant a stake in the American Dream. The relentless recent attacks on unions, both in the public sector and in private companies, and the self-serving corruption in many unions that legitimized those attacks have hit lower-middle-class and working-class men the hardest—the same group that is now most ardently antiunion. It’s a tragic irony of the American worker—they’ve been persuaded to put their trust in the very companies that betray them and shun the organizations that once protected them.

Generations of men had staked their claim for manhood on being good family providers, reliable breadwinners. It has been the defining feature of American manhood since the early nineteenth century. With neither a feudal aristocracy nor clerical indulgence, American manhood was defined in opposition to the European version, where rank and birth and blood determined your fate. Here, in the American Eden, all was new and naked, and a man could rise as high as his talents and aspirations and hard work could take him.

He could do that because he assumed the playing field was level. But all that has changed in America. The playing field is no longer level. Of course, it never was; it had always tilted decidedly in favor of middle-class white men. But what has changed is the angle of that tilt. On the one hand, it’s not quite so lopsided, as more of “them” seem to be catching up with “us.” On the other hand, it’s more dramatically lopsided than it has been since the Gilded Age—and perhaps even more than that. The gap between the middle class and the rich has never been as large as it now is in the United States. Today, the United States is coming to resemble prerevolutionary France, with teeming masses who have less and less and a noble few who tweet about twenty-five-dollar cupcakes. Although a higher percentage of white people now believe that they are the victims of discrimination than do black people, they fail to see the very rich white people who are doing massively better.

But these middle-class white men are right in one sense: the social contract that enabled self-made men to feel that they could make it, even if they somehow failed to realize their dreams, has, indeed, been shredded, abandoned for lavish profiteering by the rich, enabled by a government composed of foxes who have long ago abandoned their posts at the henhouse. That safety net, always thin, has been undone by decades of neglect since the establishment of the Great Society in 1960s. There’s a painful sense of betrayal from their government, from the companies to whom we give our lives, from the unions. There was a moral contract, that if we fulfill our duty to society, society will fulfill its duty to us in our retirement, taking care of those who served so loyally.

Although the contract may have been shredded by greedy companies driven by greedier financiers, the sense of entitlement on the part of white men remains intact. Many white men feel they have played by the rules and expected to reap the rewards of that obedient responsibility. It’s pretty infuriating not to get what you feel you deserve. That’s the aggrieved entitlement that lies underneath the anger of American white men.

They had played the game like real men—honorably, honestly. And if they were going to go down, they were going to go down like real men—making somebody pay. Even if they had to die trying.

MAD MEN

For decades, every single morning, guys like Joe Stack—middle-class corporate guys, office workers, salesmen, and independent professionals— have lined up to take the 7:23 from Anywhere, USA, to the big city. Every night they’ve returned, briefcase and hat in hand, to their suburban castles. Like characters on Mad Men, they assumed their place in the long line of American breadwinners, of family men. They worked in the city, but were successful enough to escape to the suburbs, where life was greener and safer, where the schools were better for their chilldren. They and their families shopped in malls, mowed their grass, and watched their children ride their bikes.

On the other side of the tracks, working-class guys like Patrick Sherrill have driven their pickup trucks to work in America’s factories, producing the cars we crave, the clothes we wear, the stuff we use. They have delivered America’s packages, paved America’s roads and built her bridges, and erected the skyscrapers in which corporate moguls reap their fortunes.

But all is not well. There’s a mounting anger underneath those perfectly manicured lawns, and it erupts like small volcanoes in our homes, in our corporate offices, and on those peaceful suburban streets themselves. Jim Anderson (of Father Knows Best) has been supplanted by Homer Simpson, the bumptious blowhard who’s neither a stable family man nor a reliable employee. In the near–ghost towns of America’s factory cities, white workers seethe into their beers, wondering where it all went wrong—and how it all went to hell so fast. Perhaps more menacingly, some of these obedient men have now been replaced by violent men, who lash out at their spouses, while their sons learn their lessons well, as they drive through suburban neighborhoods looking for immigrants to beat up, and even to kill.

Despite these enormous class differences, these different groups of white men are angry—angry at a system that has so let them down. The most passionate believers in the American Dream, “the Promised Land” Bruce Springsteen sings about, they’ve seen it gradually erode into a postindustrial nightmare, a world of corroding Rust Belt infrastructure and faceless cubicles that dull the senses and numb the soul. The white working class and the white middle class have rarely been so close emotionally as they are today; together they have drifted away from unions, from big government, from the Democratic Party, into the further reaches of the right wing. Together they listen to Glenn Beck and Rush Limbaugh. And together they watched Brad Pitt initiate Ed Norton into “Fight Club,” searching for something— anything—that would feel authentic, that would feel real. Middle-and working-class white men—well, they just are beginning to actually understand each other.

Some non-post-office rampage murders were regular working guys who simply snapped. Take, for example, Joseph Wesbecker, who worked at the Standard Gravure plant in Louisville, Kentucky, a printing plant that exclusively printed the local newspaper, the Louisville Courier-Journal. For months, even years, managers had refused to listen to Wesbecker’s complaints that operating the folder press was too hard for him, that his workplace-induced stress made it hard for him to perform all the operations of heavy equipment. On September 14, 1989, Wesbecker roamed through the factory floor, purposefully toward the supervisors’ office, opening fire at anyone who had ever crossed him. By the time he put the gun to his own head, seven coworkers lay dead, and another twenty had been wounded.

Others were more corporate, like Gian Luigi Ferri, a chubby fifty-five-year-old businessman who, in 1993, slaughtered seven people and injured six others at the tony, white-shoe downtown San Francisco law firm that had represented him. As the police entered the building, he killed himself.

Some were more in between the have-mores and the have-nots. Matthew Beck was a socially awkward yet conscientious accountant at the Connecticut State Lottery, who had worked diligently for eight years, until, in the summer of 1997, he was unceremoniously passed over for promotion (despite flawless work). He became bitter, angry, and withdrawn, and he began to fall apart. After Beck returned from a two-month medical leave, one of his supervisors added to his workload a particularly demeaning task for a trained accountant, monitoring the use of state cars given to those who had been promoted—that is, those who received perks to which Beck thought he was entitled. He snapped. On March 6, 1998, Beck came to work on a “casual Friday” and stabbed his former supervisor (who was the first to deny his grievance over his nonpromotion), then walked to a staff meeting of several senior staff, and shot the company chief financial officer, his senior supervisor who had also turned down his promotion. He lowered his gun and walked out of the meeting room and through the executive suite where the vice president of operations poked his head out of his office and asked, “Is everything okay?” This VP had also rejected Beck’s promotion, and Beck shot and killed him.

http://www.salon.com/2013/11/01/why_is_always_a_white_guy_the_roots_of_modern_violent_rage/?utm_source=facebook&utm_medium=socialflow

 
 
 

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