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Collagraph: Artist’s Model

Wednesday, October 8, 2014 15:39
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Artist’s Model 10×6.75 collagraph with watercolor

Available in my Etsy Shop.
The plate for this collagraph (see process shots below) was made from mat board and construction paper – and it was printed in a small edition of 5, intaglio style. If you’d like to see a tutorial video on making one of these collagraphs, visit my youtube channel.

In a small edition like this (five), it’s great fun to leave empty spaces in the design of the plate, to allow for experimentation and whimsy while coloring of the print. In the scene above, the art on the wall and the window were left blank (see the unpainted print below) so I could draw, paint or collage whatever felt right on each print.

What do you do in your art-making to mix things up and open doors for further experimentation and frivolity?

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This is print #1 (finished, sold) and #2 (in process).  You can see how altering the
treatment of the window view and the art on the wall changes the overall
look of the final collagraph.  
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Starting to paint the figure while pondering the view through the window
Empty spaces in the collagraph design = room to experiment with imagery and themes
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I left the scenery through the window and the art on the wall
blank so each print could be altered in those areas with paint, pigments, collage, etc.
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Pulling the collagraph after a trip through my Takach etching press.
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Building the plate with a mat board base, and construction paper shapes,
adhered with Liquitex Gloss Medium & Varnish.
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Art Quote

Is it okay with you that you blow off your writing, or whatever your creative/spiritual calling, because your priority is to go to the gym or do yoga five days a week? Would you give us one of those days back, to play or study poetry? To have an awakening? Have you asked yourself lately, “How alive am I willing to be?” It’s all going very quickly. It’s mid-May, for God’s sake. Who knew. I thought it was late February.
It’s time to get serious about joy and fulfillment, work on our books, songs, dances, gardens. But perfectionism is always lurking nearby, like the demonic prowling lion in the Old Testament, waiting to pounce. It will convince you that your work-in-progress is not great, and that you may never get published. (Wait, forget the prowling satanic lion — your parents, living or dead, almost just as loudly either way, and your aunt Beth, and your passive-aggressive friends, whom we all think you should ditch, are going to ask, “Oh, you’re writing again? That’s nice. Do you have an agent?”)
Ann Lamott



Source: http://belindadelpesco.blogspot.com/2014/06/collagraph-artists-model.html

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