Architect presents radical new theory that Stonehenge was a two-storey, wooden feasting and performance hall

Could the prehistoric Stonehenge megaliths once have been the support for a wooden, two-storey roundhouse, a venue for feasting, speakers and musicians? That’s the theory of an English landscape architect who designed a small model of what she has in mind and is looking for money to build a 1:10 scale model of the structure.

Sarah Ewbank says the fact she is not an archaeologist has freed her from preconceived notions and allowed her to approach the matter in a fresh way.

Ms Ewbank told Ancient Origins via email about her vision of Stonehenge:

“I believe Stonehenge was a Bronze-age venue, a large oval hall encircled and overlooked by galleries. Interestingly the upper level was tiered, the height of different sections reflecting the different height trilithons.  Consider both hall and galleries filled, listening to a speaker, or maybe there was feasting on the galleries with dancing below, perhaps crowds gathered to listen to singing or musicians playing, or maybe ceremonies took place to welcome in the solstices. It all sounds rather splendid and certainly needed – there were no electronic gadgets then!

My view – such a splendid building deserved to be used often – so, much as the Albert Hall in London serves to accommodate every type of gathering, so I believe our Bronze-age ancestors used Stonehenge whenever such a venue was required. Our bronze-age ancestors were intelligent people with needs similar to ours today. Forget the furry loin cloth and ritual sacrifice stuff – it's wrong.”

She said she’s discussed her theories with other experts. Some of them agree with her interpretation of the building’s use, but others strongly disagree and argue for the traditional view.