Does Conspiracy Extend to Musical Scale?
“This unnatural standard tuning
frequency, removed from the symmetry of sacred vibrations and overtones,
has declared war on the subconscious mind of Western Man.“
(for henrymakow.com from Aug. 31, 2010)
Prologue
Vibration
throughout the frequency spectrum of sound, heat, and light, is the
organizational principle of matter. Sound is the organizational
principle of our Universe, of physical matter and most importantly,
living matter.
The
science of Cymatics illustrates that when sound waves move thru a
physical medium (air, water, sand, metallic particles, etc.) the
frequency of the waves has a direct effect upon the structures which are
created by the sound waves as they pass thru that particular medium. YouTube videos show these fascinating patterns and arrangements here:
http://www.youtube.com/watch?
Sound is also the basis for form and shape:
http://www.youtube.com/watch?
CONSPIRACY
Imagine an incredibly powerful, wealthy person who secretly prospers from conflict, disease and war learns that certain sound frequencies (those easily divisible by two, signifying opposition) create conflict, discord and disharmony while those divisible by three (signifying balance, polity, reconciliation, harmony) produce symmetry, and visually harmonic, pleasing structures.
Now imagine that he has the power to establish the tuning standard of all musical instruments throughout the Western World.
Imagine that he bases the entire scale of musical artistic creation upon a frequency which would skew vibrations towards discord.
It sounds like science fiction. Yet this is exactly what transpired in September 1939 when Rockefeller (Illuminati) financial interests dictated that the standard tuning for the note of “A” above middle C would henceforth be said to vibrate at precisely 440 cycles per second.
This unnatural standard tuning frequency, removed from the symmetry of sacred vibrations and overtones, has declared war on the subconscious mind of Western Man.
The standard tuning fork, which is set to vibrate the note “A” above middle C at 440 cycles per second, is based upon a frequency only divisible by two rather than three, which means that all of the musical notes both above and below it are affected.
Despite the apparent “sweet music” a symphony orchestra can produce, when all instruments are tuned based on the A=440Hz key frequency, they are covert weapons no matter what “music” they may be playing.
These destructive frequencies entrain the thoughts towards disruption, disharmony, disunity. Additionally, they also stimulate the controlling organ of the body — the brain — into disharmonious resonance, which ultimately creates disease and war.
“MILITARIZATION OF MUSIC”
In a paper entitled “Musical Cult Control,” Dr. Leonard Horowitz writes:
The music industry “…features this imposed frequency that is ‘herding’ populations into greater aggression, psycho social agitation, and emotional distress predisposing people to physical illness….” while the agents of this conspiracy provide ‘therapeutic’ pacification in the form of myriad psychotropic drugs and tranquilizers for the stress they purposely created, and chemotherapy for the more serious illnesses it inspires.”
He says, “Energy (vibration) impacts “life” (biology) and our bodies through the most common medium of life: water. Our body weight, which is nearly 80 percent water, vibrates and resonates to frequencies, and frequencies entrain our physical matter as well as thought processes. Light and sound have been shown as the primary drivers of intercellular communication, which indicates that our health, or lack of it, may indeed by a product of the vibrational resonance of sound and light.”
As noted, the Rothschild-Rockefeller (Illuminati) alliance chose “….to determine the musical factors capable of producing psycho pathology, emotional distress and ‘mass hysteria.’”
BAD VERSUS GOOD VIBRATIONS
The initial effort to make A=440 Hz the basis of standard tuning took place in 1910 when the Rockefeller Foundation issued a grant to the American Federation of Musicians to popularize the concept. The initial effort failed.
However, the BSI — British Standards Institute — officially adopted A=440 Hz in 1939, promoted by the strange consortium of Rockefeller Foundation influence and the Nazi government. Ironically, The British adopted a tuning standard promoted by the Third Reich, just as both went to war. While 440Hz had been rejected by British musicians only 3 months prior, Josef Goebbels persuaded the BSI to adapt 440Hz saying it was of extraordinary importance.
As Dr. Leonard Horowitz concludes: “Music bioenergetically affects your body chemistry, psycho neuro immunology, and health. Your body is now vibrating musically, audibly and subliminally, according to an institutionally imposed frequency in harmony with aggression and in dissonance rather than vibrating in harmony with Love.”
Musical instrument tuning using the artificially imposed standard of A=440Hz may promote physical and mental disease and distrust, while effectively suppressing spirituality, intuition and creativity. This universal tuning frequency has been empirically shown to suppress the creative, intuitive aspects of our mind, while negatively affecting our body chemistry and our immune systems.
CONCLUSION
aggression, disassociation, paranoia and violence to a tuning system that was promoted
by both the Rockefellers and the Third Reich. However, just the fact
that these two entities came together to push this standard is more than
suspicious in my mind.
connection between the music of John Philip Sousa and his marching music
as a stimulus to war, that specific link is in reference to
composition, not frequency and vibration based on a tuning system.
that a specific frequency tuning is creating social stress, disharmony or physical violence and
war? But the fact that the
Rockefellers and the Third Reich pushed this tuning
standard
over the opposition of British musicians makes it suspicious, even sinister.”
money and research, imposed this artificial tuning “standard” upon
Mankind for the purpose of creating chaos. It continues to
this day to funnel our minds and emotions along paths of negativity.
It is high time for new, good vibrations to become ascendant and a “new
standard” of vibrational tuning to emerge. It is time for the power of
Love to triumph!
L C Vincent
guitars along with a wonderful Yamaha keyboard. He has had a passionate love of music since age 6 — while most children had a TV for a baby sitter, he had a
radio — and controlled that dial!
2012-10-27 22:43:48
Source:
What a useless “conspiracy” to worry about.
First off, no matter how you look at the physics of music, the only “natural” division of any note is the first order harmonic. That harmonic is exactly one octave higher, and the frequency is exactly two times the original. No matter what “standard” note you start from, no matter how you divide an “octave” into individual notes, each octave up or down is found by multiplying or dividing by two. There is no place in this structure for multiplying or dividing by three.
Secondly, according to wiki and other good enough sources, at the time that the standard was set, there were a dozen or more “standards”. Just like VHS and Beta, or DVD and Blueray, sooner or later, everything works better if we all use one standard. I have no doubts about the political nature of the Standards Committee working with the world community to find an acceptable standard, but I doubt that there are sinister forces at work here.
Finally, what is the point of saying “A440 is bad”, that is it time for a new “good vibrations” standard, letting the power of “Love to triumph”? Exactly what frequency is that? I love the amount of time I wasted reading your expose’ and hate the amount of time I spent commenting. I am probably out of tune with the harmonies…
Music & frequencies affect thought, emotions & behaviour directly & potently. It is well known that behaviour can be modified or controlled through tones & vibrations (many technologies do just this), so saying this is ‘useless to worry about’ is frankly ridiculous. Just because the true depth of this issue is not readily apparent, if you look into the science of sound & biological impacts, you will change your ‘tune’ I’m sure. It’s an issue of free will & being liberated from sinister influences.
One of my hobbies is making windchimes that are perfectly tuned, and I have had to master the art of cutting a pipe and having it be the exact pitch I want the first time. To do this, I have fashioned jigs into which I place the 12 pipes to be cut to each not of the chromatic scale. In the process, I came to recognize that the distance or size difference between the two notes that comprise the octave is subdivided into 12 equal divisions. This particular division caught my attention for the similarity the chromatic scale has with the way our clock is subdivided. I believe that our clock originated with clergy, as I am sure our musical scale did also. So my question is, is there a relation between our perception of what “time” is, and audible tonal vibrations that we call music? Any thoughts?
Another thing I was able to experiment with, was trying what would happen if the octave was divided into 11 subdivisions (the space between the notes, or intervals) instead of 12. What I got was extremely offensive to my ear, as it was perceived to be terribly out of tune notes. I guessed that the dividing of the octave by 12 was the least offensive sounding, due to the fact that the sine waves of the notes didn’t collide constantly, producing the “out of tune” sound. So what came first, the 12-note chromatic scale of the clock? Or is it totally unrelated?
“Each not of the chromatic scale” in prior entry should have been “each note of the chromatic scale”
Great, now I gotta go play with my synthesizer and ponder on this one! It is interesting that we have be conditioned to enjoy the 12 tone system, while other cultures have used 17 and 24 tone systems. I hope I don’t sound too biased when I say that Indian quarter tone music drives me nuts! I don’t know if our 12 tone system of notes is related to our 12 hour system of time. Time seems pretty constant to me, and although the tones are equally spaced, each step is an equal percentage step. The raw frequency shift for each step follows a logrythmic function. As I say, relating time to tone will take some pondering.
My gripe with the original story is the bold claim that A440 is a sinister standard. I understand how tone affects feeling. A G-major chord and an E-major chord are structured the same way. Music written starting on G-major feels happy and free, while music written around E-major feels moody and melancholy. At the time that the standard was set, there were dozens of others that were in use. Would using an A437 standard change the feel of G-major? Maybe. Lol, if we used an A370 standard, the new G-major would be the old E-major. The original post says its time to change to a standard based on love, and maybe based on multiples of 3. Thats a great sentiment, but exactly what frequency is that? I for one will not be attending any musical event where the musicians individually tune their instruments to a tone that “feels good” to them.